Krisiun

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An uncompromising extreme metal trio from Brazil, Krisiun’s savage lyrics, punishing riffs, and unmitigated velocity helped make them one of the more punitive metal ensembles to emerge in the 1990s. Heavily influenced by bands like Slayer, Sodom, and Morbid Angel, the band employ a vicious, straight-ahead death metal style that was crystallized into pure fury on career-making outings like Apocalyptic Revelation (1998), Conquerors of Armageddon (2000), and The Great Execution (2011). Hailing from Porto Alegre and taking their name from the lunar basin Mare Crisium (“sea of crisis”), the band was founded in 1990 by brothers Alex Camargo (bass, vocals), Moyses Kolesne (guitars), and Max Kolesne (drums) — Camargo uses his mother’s maiden name. A pair of demos (1991′s Evil Age and 1992′s Curse of the Evil One) and a self-released mini-album (1993′s Unmerciful Order) helped the band build a strong local following, resulting in a deal with small Brazilian label Dynamo, which put out the group’s merciless debut long player, Black Force Domain, in 1996. It was picked up for wider distribution by Gun Records, which also issued the group’s acclaimed sophomore effort, 1998′s Apocalyptic Revolution, the latter of which turned heads at major metal player Century Media, who scooped the band up and put out album number three, Conquerors of Armageddon, in early 2000. The label proved to be a loving home for the group, who were now taking their sonic onslaught across the globe, sharing stages with contemporaries like Vader, Belphegor, and Rotting Christ, and releasing a string of workmanlike, but undeniably brutal albums like Ageless Venomous (2001), Works of Carnage (2003), Bloodshed (2004), Assassination (2006), and Southern Storm (2008), the latter of which included a fiery cover of fellow countrymen Sepultura’s “Refuse/Resist.” 2011 saw the band issue their eight studio long player, the massively potent Great Execution, which garnered heavy praise from the extreme metal community, as did 2015′s more doom-leaden Forged in Fury. Clocking in at a taut 38 minutes, 2018′s Scourge of the Enthroned marked a return to the Gatling gun riffage and visceral attack of their debut. ~ James Christopher Monger