Mary J. Blige

When Mary J. Blige’s debut album, What's the 411?, hit the streets in July 1992, critics and fans were floored by its powerful combination of modern soul and edgy hip-hop production that glanced off of the pain and grit of the singer’s New York upbringing. Blige instantly became a distinct force in R&B, and throughout a three-decade career has put the full power of her voice behind her music, exorcizing her demons and consequently softening her style, yet never ceding her rank as “the Queen of Hip-Hop Soul.” Each one of the singer’s proper studio albums has debuted within the Top Ten of the Billboard 200, highlighted by a streak of five multi-platinum titles lasting through No More Drama (2001), and Best R&B Album Grammy awards for The Breakthrough (2005) and Growing Pains (2007). As she continued to add to her rich catalog in the 2010s, a new generation of artists cited her as an influence and sought her out for collaborations. These included Kendrick Lamar’s “Now or Never” and Disclosure’s “F for You,” just to name the Grammy-nominated recordings. Blige’s co-headlining performance at the Super Bowl LVI half-time show coincided with the release of her first album of the 2020s, Good Morning Gorgeous (2022).
Born in the Bronx, Blige spent the first few years of her life in Savannah, Georgia before moving with her mother and older sister to the Schlobam housing projects in Yonkers, New York. Her rough life there produced more than a few scars, physical and otherwise, and Blige dropped out of high school during her junior year, instead spending time doing her friends’ hair in her mother’s apartment and hanging out. When she was at a local mall in White Plains, New York, she recorded herself singing Anita Baker’s “Caught Up in the Rapture” into a karaoke machine. The resulting tape was passed by Blige’s stepfather to Uptown Records CEO Andre Harrell. Harrell was impressed with Blige’s voice and signed her to sing backup for local acts like Father MC. In 1991, however, Sean "Puffy" Combs took Blige under his wing and began working with her on What's the 411?, her debut album. Combs had a heavy hand in What's the 411?, as did producers Dave Hall, Mark Morales, and Mark Rooney, and the stylish touches that they added to Blige’s unique vocal style created a stunning album that bridged the gap between R&B and hip-hop in a way that no singer had before. Uptown capitalized on the success by issuing What's the 411? Remix a year later.
Her 1995 follow-up, My Life, again featured Combs’ handiwork, and if it stepped back stylistically from its urban roots by featuring less of a rap sound, it made up for it with its subject matter. My Life was full of street pathos, and Blige’s personal pain shone through like a beacon. Her rocky relationship with fellow Uptown artist K-Ci Hailey likely contributed to the raw emotions on the album. The period following the recording of My Life was also a difficult time professionally for Blige, as she severed her ties with Combs and Uptown, hired Suge Knight as a financial advisor, and signed with MCA. However, she soon won her first (of several) Grammy awards: Best Rap Performance by a Duo or Group for “I’ll Be There for You/You’re All I Need to Get By,” a duet with Method Man.
Released in 1997, Share My World marked the beginning of Blige’s creative partnership with Jimmy Jam and Terry Lewis. The album was another hit for Blige and debuted at number one on the Billboard 200. By the time her next studio album, Mary, came out in 1999, the fullness and elegance of her relatively conventional sound seemed more developed, as Blige exuded a classic soul style aided by material from Elton John and Bernie Taupin, Stevie Wonder, and Lauryn Hill. Mary made it obvious that the street-grounded style and more confrontational aspects of her music were gone, while the emotive power still remained.
That power also helped carry the more modern-sounding 2001 release No More Drama, a deeply personal album that remained a collective effort musically yet reflected more of Blige’s songwriting than any of her previous efforts. The Mary J. Blige on No More Drama seemed miles away from the flashy kid on What's the 411?, yet it was still possible to see the path through her music that produced an older, wiser, but still expressive artist. In 2003 she was reunited with P. Diddy, who produced the majority of that year’s patchy Love and Life album. The Breakthrough followed two years later and was a tremendous success, spawning a handful of major singles. By the December 2006 release of Reflections (A Retrospective), The Breakthrough’s lead single, “Be Without You,” had spent nearly a year on the R&B chart, while the album’s fifth single, “Take Me as I Am,” had been on the same chart for over four months.
A year later, Blige came out with her eighth studio album, Growing Pains. It was her third consecutive studio album to top both the Billboard 200 and the R&B/Hip-Hop Albums charts. While on tour with Robin Thicke during 2008, Blige began working on Stronger with Each Tear, which was released near the end of the following year and came one spot short of topping the Billboard 200. My Life II...The Journey Continues (Act 1) followed in 2011 with appearances from Beyoncé, Drake, Rick Ross, and Busta Rhymes. Like her previous nine studio albums, it reached gold status. (Her first eight surpassed gold to reach either platinum or multi-platinum status.) Blige’s next major move was a featured appearance on Kendrick Lamar’s “Now or Never,” off the deluxe edition of the Grammy-nominated Good Kid, M.A.A.D. City. A Mary Christmas, her first holiday album, stuffed stockings in 2013.
Early in 2014, Blige linked with Disclosure for an alternate version of the U.K. dance-production duo’s single “F for You.” A few months later, Blige — supported by extensive assistance from the-Dream and Christopher "Tricky" Stewart, as well as a few other associates — provided the soundtrack to the comedy Think Like a Man Too. It entered the Billboard Top 200 at number 30 and also reached the Top Ten on Billboard’s R&B/Hip Hop Albums chart. Released on Epic, rather than on her home label, it didn’t receive the typical level of promotion for a Blige album.
Inspired by Disclosure and other genre-blurring singer/songwriters and producers who were emerging from the U.K., she recorded her 13th album in London that summer with the likes of Sam Smith, Naughty Boy, and Emeli Sandé, as well as Disclosure once more. The London Sessions, her first album for Capitol, was released that November and placed two singles in the Top Ten of Billboard’s Adult R&B chart. In late 2016 and early 2017, Blige released the first singles from her next proper studio album, including the Kanye West collaboration “Love Yourself.” The parent full-length Strength of a Woman arrived in April 2017, and featured further guest spots from DJ Khaled, Missy Elliott, and Kaytranada. The album peaked at number three on the Billboard 200. Accolades soon piled up for her role in the period drama film Mudbound. Most prominently, she was nominated for two Academy Awards: Best Supporting Actress and Best Original Song (for “Mighty River”).
Signed to Republic, Blige issued a handful of 2018-2019 singles, all of which hit the Adult R&B chart. Among them was the Nas collaboration “Thriving,” a track that appeared ahead of the two artists’ co-headlining summer 2019 tour. During the next couple years, Blige’s acting roles included voice work for Trolls World Tour and her portrayal of Dinah Washington in Respect. The 25th anniversary of Blige’s second album was commemorated with the documentary Mary J. Blige’s My Life. A new label partnership with 300 Entertainment started in 2021 with the singles “Amazing” and “Good Morning Gorgeous,” and early the next year continued with “Rent Money.” All three songs were included on Good Morning Gorgeous, released during Super Bowl weekend that February. Blige co-headlined the game’s half-time show. (She had made a guest appearance during the Super Bowl XXXV half-time show 21 years earlier.) In addition to DJ Khaled and Dave East, who were featured on separate pre-album singles, Good Morning Gorgeous included collaborations with Usher, Anderson .Paak, and Fivio Foreign. ~ Stacia Proefrock & Andy Kellman