Pokey LaFarge

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‘So Long Chicago’ out now! Featured on the new album ‘Rhumba Country’ dropping May 10th #newmusic
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Pokey LaFarge - "Run, Run, Run"
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October 11, 2024
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Thank you Boston for an incredible show at @crystalballroomsomerville!
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Georgia on our minds! See y’all tonight @terminalwest ATL ✈️ tickets at pokeylafarge.net/tour 🍑
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“It’s Not Over” LIVE in Dallas TX 2024. #livemusic #music #live
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“Devil Ain’t Lazy” LIVE in Hamburg DE 2024 #livemusic #jazz #music
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“Fine to Me” LIVE @columbiatheater Berlin, DE 2024. #livemusic #berlin
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Bluebird
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Lucky Sometimes
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Fusing the rustic sounds of the past with his own wry humor and roots music sensibilities, singer/songwriter Pokey LaFarge makes music influenced by old-time country, blues, folk, Latin music, and Western swing. A wide-ranging troubadour since the mid-2000s, LaFarge gained greater recognition in 2012 touring with Jack White, whose Third Man label issued 2013′s Pokey LaFarge. This recognition paved the way for 2015′s Jimmy Sutton-produced Something in the Water, which peaked in the Top 30 of the Billboard Top Country Albums chart. 2020′s Rock Bottom Rhapsody was a boldly eclectic collection that fused strong contemporary influences with LaFarge’s retro sound, a maturation he further showcased that year with In the Blossom of Their Shade. For 2024′s Rhumba Country, LaFarge added electronic production accents and elements of Tropicalia, mambo, and reggae to his palette. Born Andrew Heissler in Bloomington, Illinois, in 1983, LaFarge developed an early interest in American literature and history, as well as roots music of the 20th century. By his teens, he was combining his passions into his own music, accompanying himself on guitar, mandolin, and banjo. After graduating high school, he adopted an itinerant lifestyle — as well as the nickname Pokey — and traveled around the United States, often performing on street corners. LaFarge also crossed paths with a handful of like-minded musicians, and he was soon touring with his own combo, the South City Three, featuring Adam Hoskins on guitar, Joey Glynn on standup bass, and Ryan Koenig on harmonica, washboard, and percussion. In 2006, LaFarge released his self-produced debut album, Marmalade. Several independent releases followed, including 2008′s Beat, Move, and Shake and 2010′s Riverboat Soul, before LaFarge caught the ear of Jack White. White invited LaFarge and the South City Three to accompany him on the song “I Guess I Should Go to Sleep” off his 2012 album Blunderbuss. LaFarge also opened several dates on White’s tour that year, and in 2013 he signed with White’s Third Man Records. That same year, he issued his Third Man debut, the eponymous Pokey LaFarge, which found his band expanded to a sextet with the addition of Chloe Feoranzo on clarinet and sax, T.J. Muller on trumpet, and Matthew Meyer on trap drums. In November 2014, LaFarge signed a new recording deal with the respected roots music label Rounder Records, and his first album for Rounder, Something in the Water (produced by Jimmy Sutton, best known for his work with JD McPherson), appeared in April 2015. LaFarge switched direction for 2017′s Manic Revelations, drawing inspiration from ’60s soul music. Over the next year, he stayed busy touring and working on his ninth album, Rock Bottom Rhapsody, which found him mixing the roots-oriented sounds that are his trademark with contemporary rock and dance music influences. With his 2020 touring schedule curtailed due to the COVID-19 pandemic, LaFarge instead set to work writing and recording. He re-emerged in September 2020 with In the Blossom of Their Shade, which he co-produced and arranged with Chris Seefried. After touring following the album’s release, LaFarge went through a period of restlessness, traveling frequently, and he stepped away from his musical career for a while as he worked on a farm in Maine. Manual labor helped recharge his creative batteries, and he began writing songs based on his new philosophy that country and roots music were styles that took on different forms around the world. 2024′s Rhumba Country reflected an internationalist musical outlook, with mambo, rhumba, and reggae flavors seeping into his songs, while he experimented with sampling and loops in his production and arrangements. ~ Matt Collar