Paul Chambers

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Paul Chambers - Softly as in a Morning Sunrise (bass transcription)
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Bill Evans Trio - Blue In Green (Jazz Piano Synthesia + Double Bass)
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Miles Davis, John Coltrane, Red Garland, Paul Chambers, Phily Joe Jones - You're My Everything
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All blues (120bpm) : Backing track
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John Coltrane, Miles Davis - Four
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John Coltrane, Stan Getz, Oscar Peterson, - Hackensack
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Miles Davis Quintet - My Funny Valentine
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Coltrane plays around ONE note
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John Coltrane & Stan Getz - Autumn Leaves/What's New/Moonlight in Vermont (Live 1960)
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Miles Davis, Julian "Cannonball" Adderley, John Coltrane, Bill Evans, W. Kelly - Freedie Freeloader
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このアーティストについて

One of the top bassists of 1955-1965, Paul Chambers was among the first in jazz to take creative bowed solos (other than Slam Stewart, who hummed along with his bowing). He grew up in Detroit, where he was part of the fertile local jazz scene. After touring with Paul Quinichette, Chambers went to New York, where he played with the J.J. Johnson-Kai Winding quintet and George Wallington. He spent the bulk of his prime years (1955-1963) as a member of the Miles Davis Quintet, participating in virtually all of Davis’ classic recordings of the era. When he left, “Mr. P.C.” (as John Coltrane called him in one of his originals) worked with the Wynton Kelly Trio (1963-1966) and freelanced until his death. Chambers, a consistently inspired accompanist who was an excellent soloist, made many recordings during his brief period, including some with Sonny Rollins, Coltrane, Cannonball Adderley, Donald Byrd, Bud Powell, and Freddie Hubbard, in addition to a few as a leader. ~ Scott Yanow