Kamasi Washington is a Los Angeles-based saxophonist, composer, and bandleader who was branded the future of the new jazz upon the arrival of his three-disc, spiritual jazz-funk classic The Epic in 2015. While the term has been bandied about since the 1950s, it refers to Washingtonâs musical and cultural diversity, given his wide experience playing with artists of many disciplines. His sound draws few boundaries between modal and soul-jazz, funk, hip-hop, and electronic music. In addition to his solo work, Washington was a member of Throttle Elevator Music, and played recording sessions with musicians from many genres. 2018âēs follow-up Heaven & Earth was nearly cinematic in composition and production quality. 2024âēs Fearless Movement explored life on earth and the evolution of movement in the human body. Washington, a Los Angeles native, didnât pick up a saxophone until he was 13 years old, but by that point, heâd already been playing several other instruments. Thatâs when he found his calling. Within a couple years, he was the lead tenor saxophonist at Hamilton High School Music Academy in his native Los Angeles. After graduation, he attended UCLA to study ethnomusicology. While enrolled at UCLA, he recorded a self-titled album with Young Jazz Giants, a quartet he had formed with Cameron Graves and brothers Ronald Bruner, Jr. and Stephen "Thundercat" Bruner, released in 2004. From that point on, Washington continually performed and recorded with an impressive variety of major artists across several genres, including Snoop Dogg, Raphael Saadiq, Gerald Wilson, McCoy Tyner, George Duke, and PJ Morton. He self-released a handful of his own albums from 2005 to 2008 while also performing and recording as one-third of Throttle Elevator Music. In 2014 alone, Washington demonstrated his tremendous range with appearances on Broken Bellsâ After the Disco, Harvey Masonâs Chameleon, Stanley Clarkeâs Up, and Flying Lotusâ You're Dead!, among other albums that covered indie rock, contemporary and progressive jazz, and experimental electronic music. The following year, Washington contributed to Kendrick Lamarâs To Pimp a Butterfly and released The Epic on Flying Lotusâ Brainfeeder label. An expansive triple album nearly three hours in duration, it involved the other three-fourths of Young Jazz Giantsâââby then part of his larger collective, alternately known as the Next Step and West Coast Get Downâââand a string orchestra and choir conducted by Miguel Atwood-Ferguson. A critical and commercial success, The Epic landed at number three on Billboardâs jazz chart. Washington toured the U.S., played dates in Europe and Japan, and continued session work with contributions to albums by Terrace Martin, Carlos NiÃąo, John Legend, Run the Jewels, and Thundercat, all while continuing to tour. Washington debuted the six-song project at the Whitney Biennial in March along with a film by A.G. Rojas and artwork by Amani Washington. In early 2017, Washington premiered Harmony of Difference, an original six-movement suite, as part of the Whitney Biennial, and compiled that recording for a six-track, 13-minute EPâââhis first original music since The Epic two years earlier. Issued in September, Harmony of Difference explored the philosophical possibilities of counterpoint. Composed as a suite, it contains five separate movements and a sixth, âTruth,â as a finale that includes tenets and themes from its predecessors. Washington returned in 2018 with the full-length Heaven & Earth. The double album featured contributions from Thundercat, Patrice Quinn, and Miles Mosley, and the singles âFists of Furyâ and âThe Space Travelersâ were released in advance of the record. Two years later, Washington returned with Becoming, the original soundtrack to director Nadia Hallgrenâs documentary film companion to Michelle Obamaâs 2018 memoir. After the pandemic, Washington fathered a daughter. Whereas all of his previous outings explored concepts, philosophies, attitudes, emotions, and spiritual reflections about the cosmos and metaphysical, he recorded 2024âēs Fearless Movement with a more earthly focus, inspired no doubt by the impact and influence of parenthood. Among his collaborators were Andre 3000, George Clinton, Thundercat, Terrace Martin, and Quinn. ~ Andy Kellman