Jim Jones

Slinging street anthems with leisurely menace and authority, Jim Jones has been juggling a solo recording career with extensive efforts as a collaborator, executive, and entrepreneur for well over two decades. The Harlem native and Diplomats co-founder broke through on his own with On My Way to Church (2004), a Top 20 album that set up the artist for greater success with a string of Top Ten LPs and a pair of Top 40 pop hits highlighted by the Top Ten platinum single “We Fly High” (2006). Since scoring his seventh charting solo album with El Capo (2019), Jones has added to his extensive discography with full-length duo projects such as The Fraud Department (2021) and Gangsta Grillz: We Set the Trends (2022).
Back in the late ’90s, Jones formed the Diplomats, aka Dipset, with fellow Harlem native and childhood friend Cam'ron. Before he made his solo debut, he was known as Jimmy Jones, heard on Cam'ron’s albums — starting with 1998′s Confessions of Fire — and assorted mixtapes and albums from the Diplomats. Jones worked out an independent distribution deal for his own output and in 2004 hit number 18 on the Billboard 200 with On My Way to Church, featuring the charting singles “Certified Gangstas” and “Crunk Muzik.” Jones repeatedly hit the Top Ten the rest of the decade, first with his second proper album, 2005′s Harlem: Diary of a Summer, and continuing with his third and fourth solo LPs, 2006′s Hustler's P.O.M.E. (Product of My Environment) and 2009′s Pray IV Reign. The Hustler's P.O.M.E. single “We Fly High” peaked at number four on the R&B/hip-hop chart, crossed over to the Hot 100 — reaching number five — and went platinum. “Pop Champagne,” off the 2009 release, became Jones’ second big pop hit, reaching number 22. Jones’ guest verses and other collaborations became increasingly copious each year and went far beyond the Diplomats and other close affiliates such as ByrdGang. For starters, he teamed with David Banner, Yung Joc, and Chris Brown for “Stuntin’ Is a Habit,” was on remixes of tracks by artists ranging from Beyoncé and Jazmine Sullivan to 50 Cent and Soulja Boy, and partnered with Webstar for the duo album The Rooftop. Also during this period, Jones settled into an executive A&R position with E1, the primary distributor of his commercial recordings.
While Jones was behind only three albums in the 2010s, he still seemed to be working at a feverish pace with mixtape releases, an abundance of collaborations, and business endeavors. He was also involved with reality television, appearing in the first two seasons of Love & Hip Hop: New York before co-starring in the spin-off Chrissy & Mr. Jones. His 2011 album Capo entered the Billboard 200 at number 20 and was followed by another run of tapes, including the Vamplife series. Sixth and seventh solo albums Wasted Talent and El Capo (not to be confused with Capo) arrived toward the end of the decade, issued respectively in 2018 and 2019. Activity ramped up again the next decade with 2020 and 2021 full-length projects like The Fraud Department (with Harry Fraud), Zooo York Giants (joining Champ Da General), and an addition to DJ Drama’s Gangsta Grillz series, Gangsta Grillz: We Set the Trends. ~ Andy Kellman