One of the essential guitarists of the British Invasion, Jeff Beck possessed a mercurial, lyrical style that sounded equally at home in thunderous blues-rock and soft-focus fusion. Beck played both styles in his long, unpredictable career, pioneering psychedelia, heavy metal, and jazz-rock as he did so. His prodigious talent was evident from the moment he joined the Yardbirds, nudging the group toward mind-bending rock on such seminal mid-’60s singles as “Shapes of Things” and “Over Under Sideways Down.” Beck left the Yardbirds after spending just over a year in the group, turning his attention to the Jeff Beck Group, a crushingly loud, heavy rock outfit featuring Ron Wood on bass and Rod Stewart on vocals. Truth, their 1968 debut, drew the blueprint Led Zeppelin would soon follow, but Beck never rivaled Jimmy Page’s group in terms of popularity. During the early ’70s, he cycled through new bands, including a super trio with Vanilla Fudge’s rhythm section Tim Bogert and Carmine Appice, eventually settling into a slick jazz groove with the George Martin-produced 1975 LP Blow by Blow. From that point forward, fusion played a crucial role in Beck’s music, sometimes taking the forefront — as on a live 1977 album with the Jan Hammer Group — but more often providing the glue on such adventurous rock records as 1989′s Jeff Beck's Guitar Shop. Throughout his career, Beck balanced his solo recordings with guest appearances on albums by other musicians — notably, he played lead guitar on Mick Jagger’s 1985 solo debut She's the Boss and Roger Waters’ 1992 set Amused to Death — and sometimes these collaborations resulted in a full duet album, as it did on 18, his 2022 album with Johnny Depp.
Beck began his musical career following a short stint at London’s Wimbledon Art College. He earned a reputation by supporting Lord Sutch, which helped him land the job as the Yardbirds’ lead guitarist following the departure of Eric Clapton. Beck stayed with the Yardbirds for nearly two years, leaving in late 1966 with the pretense that he was retiring from music. He returned several months later with “Love Is Blue,” a single he played poorly because he detested the song. Later in 1967, he formed the Jeff Beck Group with vocalist Rod Stewart, bassist Ron Wood, and drummer Aynsley Dunbar, who was quickly replaced by Mickey Waller; keyboardist Nicky Hopkins joined in early 1968. With their crushingly loud reworkings of blues songs and vocal and guitar interplay, the Jeff Beck Group established the template for heavy metal. Neither of the band’s records, Truth (1968) or Beck-Ola (a 1969 album that was recorded with new drummer Tony Newman), was particularly successful, and the bandmembers tended to fight regularly, especially on their frequent tours of the U.S. In 1970, Stewart and Wood left to join the Faces, and Beck broke up the group.
Beck had intended to form a power trio with Vanilla Fudge members Carmine Appice (drums) and Tim Bogert (bass), but those plans were derailed when he suffered a serious car crash in 1970. By the time he recuperated in 1971, Bogart and Appice were playing in Cactus, so the guitarist formed a new version of the Jeff Beck Group. Featuring keyboardist Max Middleton, drummer Cozy Powell, bassist Clive Chaman, and vocalist Bobby Tench, the new band recorded Rough and Ready (1971) and Jeff Beck Group (1972). Neither album attracted much attention. Cactus dissolved in late 1972, and Beck, Bogert, and Appice formed a power trio the following year. The group’s lone studio album — a live record released in Japan but never in the U.K. or U.S. — was widely panned due to its plodding arrangements and weak vocals, and the group disbanded the following year.
For about 18 months, Beck remained quiet, re-emerging in 1975 with Blow by Blow. Produced by George Martin, Blow by Blow was an all-instrumental jazz fusion album that received strong reviews. Beck collaborated with Jan Hammer, a former keyboardist for Mahavishnu Orchestra, for 1976′s Wired, and supported the album with a co-headlining tour with Hammer’s band. The tour was documented on the 1977 album Jeff Beck with the Jan Hammer Group: Live.
After the Hammer tour, Beck retired to his estate outside of London and remained quiet for three years. He returned in 1980 with There and Back, which featured contributions from Hammer. Following the tour for There and Back, Beck retired again, returning five years later with the slick, Nile Rodgers-produced Flash. A pop/rock album recorded with a variety of vocalists, Flash featured Beck’s only hit single, the Stewart-sung “People Get Ready,” and also boasted “Escape,” which won the Grammy for Best Rock Instrumental. During 1987, he played lead guitar on Mick Jagger’s second solo album, Primitive Cool. There was another long wait between Flash and 1989′s Jeff Beck's Guitar Shop with Terry Bozzio and Tony Hymas. Though the album sold only moderately well, Guitar Shop received uniformly strong reviews and won the Grammy for Best Rock Instrumental. Beck supported the album with a tour, this time co-headlining with guitarist Stevie Ray Vaughan. Again, Beck entered semi-retirement upon completion of the tour.
In 1992, Beck played lead guitar on Roger Waters’ comeback album, Amused to Death. A year later, he released Crazy Legs, a tribute to Gene Vincent and his lead guitarist, Cliff Gallup, which was recorded with Big Town Playboys. Beck remained quiet after the album’s release prior to resurfacing in 1999 with Who Else! You Had It Coming followed in 2001 and his 14th release, Jeff, was issued on Epic two years later. An excellent live set, Performing This Week: Live at Ronnie Scott's Jazz Club, was released in 2008 by Eagle Records. Emotion & Commotion, Beck’s first new studio album in seven years, appeared in the spring of 2010. It was greeted by considerable acclaim, including winning two Grammy Awards in 2011 for Best Pop Instrumental Performance and Best Rock Instrumental Performance. Appropriately, Beck released a live album called Live and Exclusive from the Grammy Museum in the fall of 2010, followed by Rock & Roll Party (Honoring Les Paul), a salute to Beck’s hero featuring vocals by Imelda May.
Over the next few years, Beck gigged regularly, highlighted by a 2013 joint tour with Brian Wilson; the duo planned to record together but those plans fell apart. In April 2015, Beck released Live+, a record culled from concerts given in August 2014 augmented by two new studio cuts. The following summer brought the all-new Loud Hailer, an album recorded with vocalist Rosie Bones and guitarist Carmen Vandenberg.
After the release of Loud Hailer, Beck befriended Johnny Depp. Soon, the pair cooked up plans to record an album together. After releasing a pointed cover of John Lennon’s “Isolation” during the height of the COVID-19 pandemic in 2020, the duo delivered the full-length 18 in June 2022. It would prove to be one of Beck’s final public statements. He died on January 10, 2023 at a hospital in Southern England after contracting bacterial meningitis. He was 78 years old. ~ Stephen Thomas Erlewine