Ben Howard

Ben Howard is a mercurial British singer/songwriter who rose to prominence — alongside contemporaries like Benjamin Francis Leftwich and James Vincent McMorrow — on the basis of his 2011 LP Every Kingdom. His soulful croon and deft guitar work initially drew inspiration from the 1970s British folk scene, but later works like 2018′s Noonday Dream, 2021′s Collections from the Whiteout, and 2023’s Is It? utilized more contemporary pop and, in turn, became experimental touchstones. Born in London in 1987, Howard grew up in South Devon, where his mother’s collection of folk records helped instill a love for Joni Mitchell, Donovan, and Richie Havens. Howard also developed an interest in surfing, briefly moving to Newquay, the surf capital of the U.K., where he received class credit for working at a surfing magazine. Howard dropped out of school six months shy of graduation, though, convinced by the surf community’s enthusiastic response to his music — which, despite its acoustic folk sound and beachy vibe, sounded more like John Martyn than Jack Johnson — and decided to focus on songwriting. The surf community proved to be a big stepping stone for Howard, who found himself playing to packed audiences long before his music spread beyond the U.K. beaches. A European tour with Xavier Rudd helped him build a wider audience in late 2008, as did the release of EPs like These Waters and Old Pine. By the time Howard finished recording his full-length debut, Every Kingdom, in 2011, he’d signed a major-label deal with Island Records (the same label that once released music by Martyn) and graduated to headliner status, thanks to releases like 2012′s Burgh Island EP and growing fan bases in England, Germany, France, and Holland. Every Kingdom proved to be a breakout release in the U.K., earning Howard a Mercury Prize nomination and two BRIT Awards for British Breakthrough Act and British Solo Male Artist, and eventually going platinum. For his much-anticipated sophomore set, I Forget Where We Were, he took a somewhat more electric approach and was rewarded with strong reviews and sales; it debuted at number one on the U.K. charts. In the spring of 2017, Howard took part in a collaborative project alongside several other artists including Mickey Smith and India Bourne. The mysterious sextet, called A Blaze of Feather, began appearing at high-profile U.K. festivals throughout the year, releasing a self-titled full-length a few months later. The year 2018 began with the announcement of Howard’s impending third LP, which he introduced with the dreamy seven-minute track “A Boat to an Island on the Wall.” The resulting Noonday Dream arrived later that June. September brought a characteristically reflective, standalone triple A-side release featuring “Another Friday Night,” “Hot Heavy Summer,” and the experimental “Sister.” Although January 2019′s ethereal “Heave Ho” bridged the gap between Noonday Dream and his next full-length record, it was two full years before he issued further material. On a summer 2019 drive through Portugal, Howard took in the expansive, loop-filled sounds of Aaron Dessner’s PEOPLE collective, and vowed to work with the founding member of the National. As a result, sessions for 2021′s Collections from the Whiteout took place between New York, Paris, and Devon before being completed at Howard’s adopted home on Ibiza. 2022 saw the release of a limited-edition vinyl version of Howard’s 2012 EP, Burgh Island. He released the lush and layered Is It? the following year, which dealt partly with the emotional fallout from a pair of mini-strokes he’d suffered the year prior. ~ Andrew Leahey