The man (and the band) who first brought shock rock to the masses, Alice Cooper became one of the most successful and influential acts of the ’70s with their gritty but anthemic hard rock and a live show that delivered a rock & roll chamber of horrors, thrilling fans and cultivating outrage from authority figures (which made fans love them all the more). The name Alice Cooper originally referred to both the band and its lead singer (born Vincent Furnier), as they played dark, eccentric, psychedelic rock on their first two albums, Pretties for You (1969) and Easy Action (1970). After a spell in Detroit where they soaked up the high-energy influence of the Stooges and the MC5, Alice Cooper scored breakthrough hits in 1971 with “I’m Eighteen” and the album Love It to Death, in which the group finally stumbled upon the formula that made them stars, blending tough, dirty, guitar-fueled hard rock with Cooper’s sneering vocals and lyrics that were by turns relatable (“I’m Eighteen,” “Body”) and willfully spooky (“Black Juju,” “The Ballad of Dwight Frye”). Coupled with a live show that included snakes, electric chairs, fake blood, and mock hangings, Alice Cooper had something to offend everyone, and from 1971′s Killer to 1973′s Billion Dollar Babies, they could seemingly do no wrong. Following the commercial and critical disappointment of 1973′s Muscle of Love, the Alice Cooper band broke up, and Alice went forward as a solo act, delivering a cleaner and more professional variation on the themes of his early ’70s hits, while the band attempted to continue as Billion Dollar Babies, with little success. Cooper’s glossy 1975 solo debut, Welcome to My Nightmare, was a massive hit, and his shows became even more elaborate as he became a regular fixture on television, but subsequent solo releases saw his following dwindle until 1989′s Trash and 1991′s Hey Stoopid, where he blended his trademark sound with hair metal arrangements and production and gained a new audience. Cooper’s dedicated fan base kept him in the game long after his ’70s peak, touring regularly and releasing albums like 2021’s high-spirited Detroit Stories and 2023′s tightly wound, live sounding set Road.
Vincent Furnier formed his first group, the Earwigs, as an Arizona teenager in the early ’60s. Changing the band’s name to the Spiders in 1965, the group was eventually called the Nazz (not to be confused with Todd Rundgren’s band of the same name). The Spiders and the Nazz both released local singles that were moderately popular. In 1968, after discovering there was another band with the same name, the group changed its name to Alice Cooper. According to band legend, the name came to Furnier during a Ouija board session, where he was told he was the reincarnation of a 17th century witch of the same name. Comprised of vocalist Furnier — who would soon begin calling himself Alice Cooper — guitarist Mike Bruce, guitarist Glen Buxton, bassist Dennis Dunaway, and drummer Neal Smith, the group moved to California in 1968. There they met Shep Gordon, who became their manager, and Frank Zappa, who signed Alice Cooper to his Straight Records imprint.
Alice Cooper released their first album, Pretties for You, in 1969. Easy Action followed early in 1970, but failed to chart. The group’s reputation in Los Angeles was slowly shrinking, so the band moved to Furnier’s hometown of Detroit. For the next year, the group refined their bizarre stage show. Late in 1970, the group’s contract was transferred to Straight’s distributor Warner Bros., and they began recording their third album with producer Bob Ezrin. With Ezrin’s assistance, Alice Cooper developed their classic heavy metal crunch on 1971′s Love It to Death, which featured the number 21 hit single “Eighteen”; the album peaked at number 35 and went gold. The success enabled the group to develop a more impressive, elaborate live show, which made them a highly popular concert attraction across the U.S. and eventually the U.K. Killer, released late in 1971, was another gold album.
Released in the summer of 1972, School's Out was Alice Cooper’s breakthrough record, peaking at number two and selling over a million copies. The title song became a Top Ten hit in the U.S. and a number one single in the U.K. Billion Dollar Babies, released the following year, was the group’s biggest hit, reaching number one in both America and Britain; the album’s first single, “No More Mr. Nice Guy,” became a Top Ten hit in Britain, peaking at number 25 in the U.S. Muscle of Love appeared late in 1973, yet it failed to capitalize on the success of Billion Dollar Babies. After Muscle of Love, Furnier and the rest of Alice Cooper parted ways to pursue other projects. Having officially changed his name to Alice Cooper, Furnier embarked on a similarly theatrical solo career; the rest of the band released one unsuccessful album under the name Billion Dollar Babies, while Mike Bruce and Neal Smith both recorded solo albums that were never issued. In the fall of 1974, a compilation of Alice Cooper’s five Warner albums, entitled Alice Cooper's Greatest Hits, became a Top Ten hit.
For his first solo album, Welcome to My Nightmare, Cooper hired Lou Reed’s backing band from Rock 'N' Roll Animal — guitarists Dick Wagner and Steve Hunter, bassist Prakash John, keyboardist Joseph Chrowski, and drummer Penti Glan — as his supporting group. Released in the spring of 1975, the record was similar to his previous work and became a Top Ten hit in America, launching the hit acoustic ballad “Only Women Bleed.” Its success put an end to any idea of reconvening Alice Cooper the band. Its follow-up, 1976′s Alice Cooper Goes to Hell, was another hit, going gold in the U.S. After that album, Cooper’s career began to slip, partially due to changing trends and partially due to his alcoholism. Cooper entered rehab in 1978, writing an album about his treatment called From the Inside (1978) with Bernie Taupin, Elton John’s lyricist. During the early ’80s, Cooper continued to release albums and tour, yet he was no longer as popular as he was during his early-’70s heyday.
Cooper made a successful comeback in the late ’80s, sparked by his appearances in horror films and a series of pop-metal bands that paid musical homage to his classic early records and concerts. Constrictor, released in 1986, started his comeback, but it was 1989′s Trash that returned Cooper to the spotlight. Produced by the proven hitmaker Desmond Child, Trash featured guest appearances by Jon Bon Jovi, Richie Sambora, and most of Aerosmith; the record became a Top Ten hit in Britain and peaked at number 20 in the U.S., going platinum. “Poison,” a midtempo rocker featured on the album, became Cooper’s first Top Ten single since 1977. After the release of Trash, he continued to star in the occasional film, tour, and record, although he wasn’t able to retain the audience he’d recaptured with Trash. Still, 1991′s Hey Stoopid and 1994′s The Last Temptation were generally solid, professional efforts that helped Cooper settle into a comfortable cult status without damaging the critical goodwill surrounding his ’70s output. After a live album, 1997’s Fistful of Alice, Cooper returned on the smaller Spitfire label in 2000 with Brutal Planet, and Dragontown a year later. The Eyes of Alice Cooper appeared in 2003 and found Cooper and company playing a more stripped-down brand of near-garage rock. Dirty Diamonds from 2005 was nearly as raw and hit the streets around the same time Cooper premiered his syndicated radio show Nights with Alice Cooper. Three years later he returned with Along Came a Spider, a concept album that told the story of a spider-obsessed serial killer. In 2010, he released the live album Theatre of Death, along with a download-only EP of redone Cooper classics titled Alice Does Alice. 2011′s Welcome 2 My Nightmare, a sequel to his 1975 conceptual classic of the same name (minus the 2), was recorded with longtime co-conspirator Bob Ezrin, and featured 14 brand-new cuts that spanned multiple genres and relied on the talents of a host of previous members of the Alice Cooper band (including Steve Hunter), as well as a guest spot from pop superstar Ke$ha. The same year, he was awarded the Kerrang! Icon Award.
Advancing years didn’t prevent Cooper from maintaining a hectic schedule, and by 2012 he was touring with Iron Maiden and headlining Bloodstock Open Air. Aside from his musical pursuits, he also starred in Tim Burton’s adaptation of Dark Shadows, playing himself alongside Helena Bonham Carter, Johnny Depp, and Michelle Pfeiffer. He returned to touring in 2014 as the opening act for Mötley Crüe’s final tour, and the following year he unveiled a new supergroup called Hollywood Vampires, which included Johnny Depp and Joe Perry. They subsequently released an album of rock covers. He reunited with Ezrin yet again for his 27th studio record. Paranormal was released in 2017, featuring contributions from ZZ Top’s Billy Gibbons, Deep Purple’s Roger Glover, and U2′s Larry Mullen, alongside original bandmembers Smith, Dunaway, and Bruce. The album was also released in a special edition with a bonus disc of live material. Early the following year, an EP was released, centered around Paranormal single “The Sound of A,” which included a handful of live cuts from his 2017 tour. In August 2018, Cooper released A Paranormal Evening at the Olympia Paris, a live album drawn from his European tour in support of the Paranormal album. A 2019 EP, Breadcrumbs, saw Cooper paying tribute to his hometown of Detroit with songs written about his early garage rock heroes. He continued the Detroit homage on his next full length, 2021′s Detroit Stories. In addition to many new songs of his own, the album included covers of Bob Seger, Detroit indie mainstays Outrageous Cherry, and the Velvet Underground’s “Rock & Roll” presented in the style of Mitch Ryder & The Detroit Wheels’ 1971 rendition. The LP peaked at number 47 on the Billboard 200 and at number seven on the Top Independent Albums chart. The following year saw the release of the concert album Detroit Stories/Paranormal/A Paranormal Evening with Alice Cooper at The Olympia, Paris. In August of 2023, Cooper released a new album, Road. This set of new, guitar-heavy tunes sought to capture the power his band had in an on-stage setting. In addition to the album’s live sound, Road was held together by the loose conceptual theme of situations unique to the rock and roll touring life. The album came out concurrently with a tour Cooper was booked for supporting Mötley Crüe and Def Leppard, and he had plans for a co-headlining tour with Rob Zombie later in the year. ~ Stephen Thomas Erlewine & Mark Deming